She holds a Higher Diploma in Lyric Singing from the Murcia Higher Conservatory of Music and a degree in
Architecture from the University of Granada. She completed postgraduate studies in Renaissance and
Baroque Singing with Professor Cristina Miatello at the “Benedetto Marcello” Conservatory in Venice, Italy,
where she obtained her Master’s degree with top honors and unanimously received the summa cum laude
distinction. She also holds a Master's degree in Musical Performance and a Master's degree in Performance
Research in Spain. She has participated in specialized courses with renowned teachers such as Michael
Noone, Carlos Mena, Lola Arenas, Raquel Andueza, Eduardo Egüez, Javier Artigas, Karl Peter Kammerlander
(Lieder and mélodie), Tiziano Bagnati, Maria Christina Cleary, Paoletta Marrocu, Jill Feldman, and Alberto
Allegrezza (Baroque theater and gesture).
She has been a teacher of Jazz Singing and Modern Singing in various schools both in Italy and in Spain, where
she has conducted access masterclasses to the RESAD (Higher School of Dramatic Art) of Madrid. She is also
a professor of Singing and Chamber Music in the network of Higher Conservatories of Andalusia, Spain.
In Venice, she has been a soloist with the historic Cappella Marciana of St. Mark's Basilica, under the direction
of Marco Gemmani, with whom she has sung on concert tours (Mestre, Padua, Vicenza, Modena, Bologna,
Moscow, Rome) and in concerts for the Grand Theatre "La Fenice".
Under the direction of Francesco Erle, she sings as a soloist in recordings of unpublished baroque repertoire
by G. Legrenzi and G. Rovetta for the prestigious Levi Foundation of Venice.
She collaborates with Nobile Arte, under the direction of Vicente Alcaide, a group specializing in historical
music that contrasts the natural trumpet and the voice, as a singer and as a transcriber.
Together with lutenist and guitarist Miguel Ángel Muñoz, she founded the ensemble El Paraíso. The duo
specializes in the recovery of Spanish musical heritage and promoting works composed by women, especially
from the Italian Seicento, carrying out significant research and transcription of early sources.
Her interest in other types of music led her to found Serena Ensemble, together with international trumpeter
Fabrizio Nasetti, and the Zaniah Trio, chamber music groups focused on the recovery and dissemination of
music composed by women from the 19th to the 21st centuries, with whom she has performed the world
premiere of contemporary works.
She has sung at the International Early Music Festival “Úbeda and Baeza” (FEMAUB), International Early
Music Festival “Andrés de Vandelvira” (FEMAVV), the Gijón Early Music Festival, “Voices at the University”
Concert Cycle in Murcia, the International Early Music Festival of Daroca, “At the Origin of the Guitar” music
series at the Andrés Segovia Foundation, the Martos International Sacred Music Week, Early Music Festival
of Granada (MAG), Early Music Festival “City of Andújar”, International Music Festival of La Mancha, Autumn
Festival of Jaén, the “FEMA Pons Ferrata” Early Music Festival in León, Carnival Concerts at the Doge's Palace,
the “Gran Concerto per L’Immacolata” and “Le Ceneri” concert cycles in Venice, the Concert Cycle of the
Museum of Instruments of Bologna and several festivals and theaters in Italy (Venice, Bologna, Padua,
Treviso).