Proceeding of the past Conferences /

Below you can read the papers of the past Conferences

Treviso, Italy, March 17-18, 2018

Keynote Lectures
Eduaro R. Miranda, Plymouth University, UK
Speech title: Music and Bio-computing

Patricia Alessandrini, Goldsmiths, University of London, UK
Speech title: Tracer la lune d'un doigt: where the virtual and the physical touch

Luca A. Ludovico, Università degli Studi di Milano, Italy
Speech title: Perspectives in Education for Sound and Music Computing



Federico Avanzini, Adriano Barate', Goffredo Haus, Luca A. Ludovico, Stavros Ntalampiras
Perspectives in Education for Sound and Music Computing

Consuela Radu-Taga
The Choir in the Romanian Opera

Carlotta Ferrari
Electronic Sound as a Gender-Neutral Means of Representation

Raul Masu, Nuno N. Correia, Fabio Morreale
Toward the Adoption of Design Concepts in Scoring for Digital Musical Instruments: a Case Study on Affordances and Constraints

Eduardo R. Miranda, Aurelien Antoine, Jean-Michael Celerier, Myriam Desainte-Catherine
i-Berlioz: Interactive Computer-Aided Orchestration with Temporal Control

Nikita Mamedov, Robert Peck
Calculating Dissonance in Chopin's Etude Op. 10 No. 1

Umberto Barcaro
The tension-resolution pattern as a basic feature of both music and dreaming

Edson E. da Silveira, Shigeki Sagayama
A Greedy Approach to Music Voice Separation Using Hidden Markov Models

Cissi Tsang
Resounding Landscapes - Combining Psychogeography and Elements of the Landscape as Composition

Winfried Ritsch
Algorithmic Music with Linkchained Robotic Musicians as Internet of Things - Art

Monika Sobolewska, Piotr A. Nowak, Aleksandra Majchrzak, Katarzyna Baruch, Adam Pilch
The challenges of classical guitar FEM modelling

George Petras, Panagiotis Tsagarakis, Anastasia Georgaki
Extended "Drama Prosodic Tools": Design And Aesthetics

Anthony Chmiel , Emery Schubert
A simple algorithm for music recommendation, built on established psychological principles

Adam Pilch, Krzysztof Krzyzek, Bartlomiej Chojnacki, Aleksandra Majchrzak, Monika Sobolewska, Katarzyna B
Analysis of the musicians' preferences for the parameters of first sound reflections in rooms

Bartlomiej Chojnacki, Adam Pilch, Aleksandra Majchrzak, Monika Sobolewska, Katarzyna Baruch
Listening concepts under extreme acoustic conditions in anechoic and reverberation chambers and underwater during aXes - Triduum of New Music Conferen

Monika Sobolewska, Piotr A. Nowak, Daniel Tokarczyk, Aleksandra Majchrzak, Bartlomiej Chojnacki
Modular guitar - the new concept of a measuring instrument

Dominik Phyfferoen
The Intensity Factor in the Traditional Idiom of Music Making in Dagbon